Nothing slows down time like a good book. Or, more
precisely, finding a book I can't put down forces me to make better use of my
time. Amid the holiday craziness of extra hours at work, more socializing than
usual and the mad rush to get everything done, I got completely lost in Anthony
Doerr's "All the Light We Cannot See."
It's a complex story, with wonderful character development, and
Doerr's stunning use of language and vivid imagery makes it a pleasure to read.
But it went deeper for me. Perhaps it's because I'm the daughter and
granddaughter of people who survived World War II by living in a cellar in
Brussels while Hitler's army bombed Belgium. Maybe having an emotional link
with such a dark time in history made me immediately bond with Marie-Laure, a
young blind girl, as I pictured her making her way up and down the winding
stairs in her uncle's tall house by the sea, in Saint Malo. Marie-Laure is only
a few years older than my mother was at the beginning of the war, when nearly everything
she had known changed dramatically.
I also developed a deep empathy for Werner, the young German
soldier who is cast into the ugliness of war when he's just a small-for-his-age
14-year-old. Given my heritage, the Germans were of course the enemy, but I just
couldn't see Werner that way. He was a boy, an orphan who ended up at an
academy for Hitler Youth thanks to his expertise building and fixing radios. His
and Marie-Laure's stories come together in Saint Malo, near the end of the war,
as Germany loses its hold on France. Strangers and enemies, barely more than
children, they experience the illumination of human connection. For a story
full of the darkness of war, Doerr's novel is also full of light: sunlight on
the ocean, the sea breeze drifting into the window of Marie-Laure's tiny
bedroom, Werner's need to be decent, even in brutal circumstances, and kindness
against a backdrop of brutality. Not all light can be seen, but it certainly
can be felt.
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